Features
Who are Slipknot’s fans?
We head down to Slipknot’s Here Comes The Pain tour in Manchester to meet the Maggots that had their lives changed forever by nine masked men from the cornfields…
Watch footage from Slipknot’s ridiculously cool first show with their new drummer, who fans believe to be former Sepultura man Eloy Casagrande.
Last night (April 25), Slipknot played an unbelievably tiny show in the desert to kickstart their next chapter, as well as warming up for this weekend’s huge Sick New World festival.
And on top of debuting an awesome throwback look and accompanying setlist (see our gallery here to properly get a good glimpse), the band unveiled their new drummer at the unusual location of intimate Pioneertown, California venue Pappy + Harriett’s.
While they seemingly didn’t actually confirm the identity of Jay Weinberg’s replacement onstage, it has been suspected for a good few weeks now that Eloy Casagrande is behind the kit – and indeed, at this point many are reporting that it is absolutely the former Sepultura man on the drums (have a look at some fan-shot footage below and see what you think).
Check out the setlist from the incredibly special evening:
(515)
1. People = Shit
2. Eyeless
3. Disasterpiece
4. Before I Forget
5. Custer
6. Psychosocial
7. The Devil In I
8. The Heretic Anthem
9. Unsainted
10. Wait And Bleed
11. Prosthetics (first time since 2019)
12. Vermilion
Encore:
13. Duality
14. Spit It Out
15. Surfacing
You can also catch Slipknot at the following European and UK dates later this year:
December
5 Amsterdam, Netherlands – Ziggo Dome
6 Dortmund, Germany – Westfalenhalle
8 Stuttgart, Germany – Schleyerhalle
9 Leipzig, Germany – Quarterback Immobilien Arena
11 Zurich, Switzerland – Hallenstadion
12 Paris, France – Accorhotel Arena
14 Leeds, UK – First Direct Arena
15 Glasgow, UK – OVO Hydro
17 Manchester, UK – Co-op Live Arena
18 Birmingham, UK – Utilita Arena
20 London, UK – The O2
21 London, UK – The O2
Read this: “Thoroughly unpleasant and truly unforgettable”: Our original 1999 review of Slipknot’s debut album