They arrive in a cascade of pink petals with Look To Windward, and it’s immediately clear that this isn’t just a bigger, brighter, bolder version of previous shows, as had sometimes previously been the case, but an entire levelling up of the whole operation. Even for those crammed into the back of this beyond-stuffed field, it’s impressive.
The stage is an enormous, multi-layered pink castle based on the album artwork, crowned in the middle with the band’s sigil logo, itself a miniature Pink Floyd light show. Drummer II sits majestically up on the first floor, opposite a trio of masked backing singers, while down below bassist III and guitarist IV look genuinely ghostly in their new duds.
It is, naturally, Vessel who commands attention, though, with his new golden shoulder armour and feathery finery. He looks the shit. And if previous muttered criticisms had it that Sleep Token weren’t quite dominating their big stages, here that’s all left in the dust. There isn’t a moment where you aren’t being dazzled, where they aren’t commanding your attention.