Their finale curiously relies on contrast. Crushed finds them outdoing themselves even more than they already have – first, Ben Gordon’s drum riser flips him upside down, and then, it – as with many other parts of the stage – is engulfed in fire. They send it home on far more minimalistic terms, stripping back their production for Wild Eyes to rely on their musicianship, their good old fashioned mosh pits, and their colossal ‘whoa-ohs’ that fans will be singing all the way home. It’s brave, and it’s earnest, and it works.
This spectacle – which almost feels like an unflattering word given what they’ve undertaken – takes up two and a quarter hours. Every minute of it is justified, and they make every second count. Somehow, with this show, Parkway have taken almost every band who plays rooms bigger than this by the scruff of the neck, forced them to the floor and used their faces as mops. It’s the greatest of what live music has to offer. Show of the year? No contest. A Download headline spot, at this rate, has to be in their future…