Lauren Tate, also known as Delilah Bon, is in the middle of cutting up a wedding dress – an eBay purchase from five years ago that cost her £4 – to make an outfit for the Spotify misfits 2.0 Anti-Prom. This is a pretty common occurrence, really. In addition to crafting her own clothes for live shows, she also designs her own merch, as well as writing, recording and producing music herself. “This is the most free I’ve ever felt creatively,” she enthuses.
Before Delilah Bon, she had released solo albums as Lauren Tate and was in Hands Off Gretel. When touring with the aforementioned punk band, she would meet fans after shows. “I was noticing that the amount of guys that were coming to meet me were drunk punk guys that would just be coming to put their arm around me, and then I was getting groped. And this started when I was 17, so I was too afraid to say anything,” she sighs.
At the time, when Lauren started to speak out about it in her music, audiences reacted negatively. “Men would come to my shows to purposely cause issues,” she continues, “to harass the few girls that came to see Hands Off Gretel.”
Lauren started to channel her feelings about those experiences into music during lockdown, in what was initially conceived as a studio project. She decided to name it Delilah Bon – after one of her characters on The Sims 4 – and began melding together ’00s pop, nu-metal and hip-hop, while tackling sexism head-on in the lyrics.
On the song Dead Men Don’t Rape, for example, Lauren takes her audience’s outrage and flips it back on them. “People would be so angry and get offended about the title, but where is that anger when it’s another woman in the news, and all the different femicides across the world? People aren’t as offended as when you say, ‘Dead men don’t rape,’ and that’s the whole point,” she explains.