Watching Pupil Slicer’s full vision unfold has been one of the great pleasures of UK metal in recent years. First spilling from the depths of the underground in an abrasive blur like the aural equivalent of their skin-crawling band name, 2021 debut Mirrors established an uncompromising extremity. The 5/5-rated Blossom two years later was startling proof that they could wield warmth and colour just as convincingly, too, dropping indie-rock, synths, joyous choruses and egg-shakers amongst looming tidal swells of black metal and grindcore.
Fleshwork sees a new iteration of the band – vocalist/guitarist Kate Davies and drummer Josh Andrews alongside incoming bassist Luke Booth – shift focus to somewhere between those past releases, and sharpen into a retina-searing, eardrum-bruising ultimate iteration.
Eschewing any eerie introduction, first track Heather bursts from the speakers with a weirdly catchy riff that feels like The Dillinger Escape Plan at their most toe-tappingly accessible, before chucking on sheets of sandpaper feedback and gnashing anguish. Gordion pulls in threads of industrial, indie, mathcore and black metal, tying itself in some glorious knots. Sacrosanct lets Luke loose with a brilliantly bludgeoning bassline, before Innocence draws listeners into a treacly down-paced honey trap, only then to set itself cathartically ablaze.