Death Curl does it the other way round, with its glistening intro giving way to a sludgy, haunting breakdown, but from here things become less well-trodden. Still Sickness is all ocean-sized chords and layers of atmospheric vocal, while The Grey finds a gently-picked intro slowly swirling into full-on post-hardcore catharsis.
On Grandfather, everything is stripped back to just a delicate guitar and even more delicate, cracking vocal, before the chunky intro of Violet Sun fades into an equally raw dark night of the soul, asking ‘What if I can’t drown the demon that’s in me?’ Again, though there’s blackgaze building blocks, what you actually get is something with an equal side of confessional, old-style emo.
It’s refreshing in both its honesty and its creativity. Often, this stuff can be made to sound easy, a load of delay and chorus and blasting acting as a way to an end result without having to properly write something meaningful. On Erosion/Avulsion, Hidden Mothers show how to do it with every detail accounted for, to often devastating effect.
Verdict: 4/5
For fans of: Deafheaven, Underdark, Touché Amoré
Erosion/Avulsion is out now via Church Road