Joy Through Death
“It was all part of that stuff that wasn’t allowed, or you weren’t allowed to talk about,” Mat recalls. “Someone would have a copy of The Satanic Bible, and you’d have to stow it in your bag. I’d bring inverted crosses home and hide them in my room, but my mum would always find them and throw them away. So we’d have to hide them in bushes down the street so we could put them on before we’d go out.”
Eventually, Mat moved from London to Norway, first to Oslo, and then in the far North, Karasjok in Lapland, not far from the Finnish border. He began working with established Norwegian black metal bands like Dødheimsgard, as well as his own band, Code. But after he left the former and the latter were doing nothing, it was in Finland in 2010 that the seeds for Grave Pleasures were sown, albeit under a different name: Beastmilk. Once again, the occult raised its head.
“I met [guitarist] Johan Snell, who was a friend of my wife’s. We started talking about Finnish post-punk, and saying, ‘Oh, wouldn’t it be cool to mix this in with some of the black metal stuff we’ve been doing?’ I remember there were a lot of names around like BlackMilk, which was a clothing brand, but we got Beastmilk because we had been reading White Stains by [infamous occultist] Aleister Crowley. We were talking about this occult aspect of milk – everyone talks about blood, but milk is much more mysterious.
Sadly, Beastmilk was spilt not long after the band’s superb Climax debut, with Johan leaving, prompting the name change to Grave Pleasures. “It’s a name that’s supposed to be taken like, serious pleasures,” laughs Mat. The name and line-up may have changed, but the band’s – and Mat’s – spirit remained on the same path, continuing through 2015’s Dreamcrash album, and blossoming on last year’s Motherblood. “It’s a pure free-for-all, with no regulations,” he explains. “I really enjoy the idea that your backstage is its own country with no laws and no government. You can do what you want, say whatever you like and nobody is going to judge you. I like that aspect of things: embracing the chaos and letting it in.”