Goth is not the easiest genre to define. There’s no arguing that it grew out of post-punk in the UK in the late ’70s and early ’80s, but even from that starting point it remains difficult to pin down. It doesn’t help that most of the people you might think of as goth’s prime movers have rejected the tag. Bauhaus, The Cure and even Andrew Eldritch of The Sisters Of Mercy have categorically stated that they are not and never were goth. Andrew said in a Virgin.Net interview in 1997: “I'm not interested in what g***s think… I’m constantly confronted by representatives of popular culture who are far more g*** than we, yet I have only to wear black socks to be stigmatised as the demon overlord.”
So if the bands themselves won’t own their own gothness, it’s down to the perception of others. And, if it looks like a bat and squeaks like a bat, it’s unlikely to be a duck. Gothic music has a tendency to lean towards the dramatic and artistic, often with a literary or poetic bent. There’s a romance to it, even when it’s dealing with dark and melancholy themes. There are bands that helped set the scene for goth, like German artist Nico, her one-time collaborators in The Velvet Underground and gloomy post-punks Joy Division. There are countless bands who have taken a slice of inspiration and then there are bands like The Cramps and Cocteau Twins who were embraced by the scene if not fully goth themselves.
This list, though, consists of albums that could generally be described as classic goth albums. Now… release the bats!