For too long, music has been one big giant boys’ club. And more specifically, a white, cisgendered, heterosexual boys’ club. Anyone who falls outside of that narrative has faced (and continues to face) discrimination based upon societal views of their gender, and concurrently, their race/ethnicity. USC Annenberg's June 2021 report on Inclusion in the Music Business examined the identities of 1,750 artists affiliated with major labels. “48.3 per cent of these artists were from underrepresented racial/ethnic groups (men = 33.8 per cent, women = 14.6 per cent) and roughly one-third (31.2 per cent) of all artists were Black (men = 22.7 per cent, women = 8.5 per cent). Two-thirds (67.8 per cent) of artists were men, 31.8 per cent were women and less than 1 per cent were gender non-binary.”
When one reads these statistics, it is clear that something needs to change. For many people, the stereotypical image of a guitar player, a producer, you name it, is a white cis man. “Disrupting this cognitive profile is an essential step in diversifying the ranks” of the entire industry, reads the USC Annenberg 2021 report. It’s so healthy for everyone, men included, to see strong women in roles of creativity and leadership, where we get a chance to be heard, respected, and looked up to because we are reputable musicians that also happen to be female/gender-non-conforming/racially diverse/queer/etc. Not because we are being commodified for capitalism in the name of “girlbossing". Actual real representation and equity, not tokenisation, is the key here.
The future of the music industry is intersectional. I think of it as one big, beautiful mosaic. We are all connected, and each piece comes together to create one magnificent piece of art. You don’t have the complete picture if there are any missing pieces.
It’s an honour to be one part of that mosaic that helps complete the whole picture for everybody. I hope for a future where every person – regardless of gender, sexuality, race, ability – is equally represented and no-one bats an eye. Where it’s just inherently so. The people I have met during my time working in music give me hope that we can continue to disrupt the industry’s antiquated culture and build a future together that is truly intersectional.
The Regrettes' new album Further Joy is released April 8 via Warner Records.