“I think the subject matter hits home with a lot of people, and it tells a story. And it really transformed us as a band, to know what our new approach to songwriting was going to be. It’s not a song that’s chopped down into a three-and-a-half-minute format. I had the finger-picked pattern to the verse, which I loved – that had been sitting on my brain for a couple of years, and I really wanted to make it happen. So I got with Myles [Kennedy] and we had different parts for the song, and we’d go into different rooms and be like, ‘Alright, write the next part…’ and we’d go and then come back and be like, ‘I wrote it!’ If you listen to the bridge, that was the perfect example of me and Myles writing, and then coming together and realising that if we just layered our parts, they sounded great together. Once we finished that song it was like, ‘The record’s done: this is what we needed to finish it, and this is the title-track.’ And from that point on we could write those longer songs, which is a fun artistic journey. We’re really proud of it.”