Along with that, LANDMVRKS have a huge amount going for them. Obviously, there’s their knack for a towering chorus – see the turbulent Creature or the rippling melodies of Sulfur – but they’ve also leaned into a skill few bands have: a knowledge and aptitude for French hip-hop. There’s no aping the neanderthal aggression of textbook nu metal (though The Great Unknown does heavily imply they had Linkin Park posters on their walls growing up, but not to their detriment) – Flo’s slick, agile Francophone verses are unbelievably satisfying whether you understand a word he’s saying or not. Sombre 16 valiantly embraces hip-hop and pulls it off effortlessly, while La Valse Du Temps dovetails into a mournful, piano-led take on the genre and Blood Red beautifully synthesises the opposite poles of their sound.
LANDMVRKS were bruised for a while, but never broken. They created that diamond from the pressure after all, while offering a genuinely refreshing, innovative take on a saturated sound. Lost faith in metalcore? This lot might just make you believe in it again.
Verdict: 4/5
For fans of: Polaris, While She Sleeps, Linkin Park
The Darkest Place I’ve Ever Been is out now via Arising Empire