The roads into Greywind’s allegorical Severed Heart City are long, winding and paved with trauma. The only bridge out is acceptance and hope. In a way, it encapsulates the last near-decade of their lives, in which their fortunes were destroyed and rebuilt when their label dropped them after 2017 debut Afterthoughts, but then fans revived their music on TikTok. It’s unsurprising, then, that after so much time and so much pain, the Killarney duo are making music with enough fire in their stomach to burn bridges down.
Severed Heart City has all you could hope for from modern emo: gravity defying choruses, big melodies, and perhaps strongest of all, a sense of knife-sharp emotion. Vocalist Steph O’Sullivan bares both her teeth and her heart with lines so blunt they’re merciless – ‘I can’t find my halo, it slipped off, I tried / I killed all my friends ’cause they wanted to die,’ she sings in a vortex of self-destruction on IKAMF. Happy’s initial mid-tempo sweetness curdles when Steph cuts through to the twisted, ugly roots of mental anguish: ‘I’m not happy / Feel like jumping off a bridge with my legs tied to bricks.’ Meanwhile, the soaring Waterfall is just as candid, but from a different angle as Steph takes on an uncaring love interest described as ‘the worst emergency contact‘.