Indeed, the production is great, and the band sound huge. There is clear ambition flowing through the album’s dozen tracks, but while it’s practically bursting with hooky choruses, there’s a lack of ingenuity. Opener The Only Ones veers on the edge of Linkin Park territory, but feels too rudimentary, almost like the band are holding back, afraid to be even bigger and bolder, while Drowned In Emotion dances in some Amity Affliction-esque electronics, with its bounce and breakdown nailing it down to be a live favourite. But it’s tracks like Hold Me Now that are indicative of the formula Caskets have found themselves buried in, exercising the same ‘loud/quiet dynamic before the big chorus at the end’ method over and again. In fact, it’s drummer James Lazenby who stands out most on the record, putting a pummelling shift in throughout.