In the seven years since Blessthefall’s last record, 2018’s solid but unspectacular Hard Feelings, the U..S has had three presidents – although, sadly, two of them were that same guy.
With the lengthy period of reflection the pandemic provided, and a pretty sizeable run up for album number seven, there was little holding the Arizona unit back from giving this their best shot – which it needs to be, as it’s been a decade since they issued something truly noteworthy (2015’s To Those Left Behind).
It’s a shame to saddle Blessthefall with that kind of expectation, though, because only something truly excellent or innovative is going to provide a reintroduction that really makes an impact. The good news is: those ingredients are in there. The bad news is: it takes far too long to get to them.
The first half of Gallows is what we’ve come to expect from Beau Bokan and co., meticulously constructed metalcore with varying degrees of effectiveness – from the workmanlike (mallxcore, Wake The Dead) to the promising (Somebody Else, Drag Me Under, featuring Alpha Wolf vocalist Lochie Keogh). So far, so similar.