As the world shifts, the parameters of political music have expanded. In 2018, bands such as Svalbard and FEVER 333 have found new ways to channel protest into thrilling sounds. Nobody other than OHHMS, however, has made a seven-act prog-metal track written from the point of view of a laboratory animal. Said epic is Subjects, the opening track on this second album from the Canterbury experimentalists. Laying claim to over half of Exist’s running time, it explores twists and turns you wouldn’t expect when its avant-doom intro first leads into a swinging, almost Orange Goblin-esque groove. Drop in anywhere during its 23-minute duration and you’ll find something inspiring. It’s enormous, but it never feels like a clumsy medley of unconnected snippets, flowing organically even when its most blissful point is followed by a squeal of feedback and a wall of fuzz.
Relatively speaking, the other songs on Exist are more straightforward concerns, clocking in at a mere six, seven or eight minutes apiece. But they share the opener’s expansive spirit, working with both attention-grabbing heaviness and intriguing prog action. The steamrolling noise-rock riff that ushers in Shambles immediately flattens you, while Firearms opens at hardcore pace, with ragged fury flying out at all angles. But cloudbursting moments of melodic grace are just as much part of the OHHMS ethic, as they fashion tunes as lush as they are weighty.